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My sincerely sincere gratitude to everyone who took the time to visit & vote on my July 15th BOTB's Battle Of The Booze installment which happened HERE.
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Warren Zevon's zong 'Werewolves Of London' (pina colada) went up against the other Warren Zevon's 'Desperados Under The Eaves' (margarita) and it was a very good Battle (meaning "a very close Battle").
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I really like a lot of Warren Zevon's zongs, and still own four of his albums on compact discs. My music collection wouldn't be complete without songs like 'Poor, Poor Pitiful Me'; 'I'll Sleep When I'm Dead'; 'Carmelita'; 'Bad Karma'; 'Even A Dog Can Shake Hands'; 'The Heartache'; 'Ain't That Pretty At All'; 'Looking For The Next Best Thing'.
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And although 'Werewolves Of London' is essentially just a novelty song, I happen to love novelty songs. (Anything that can put a smile on my face in this pathetically sad world is A-OK by me!)
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However, 'Desperados Under The Eaves' has always been my very favorite Zevon zong. I won't drone on and on and on and on and on and on and bore you with all of the details that make 'Desperados...' my favorite of Warren's recordings. But I do want to say that I find the song very anthemic, in the way that it builds up, through the down-'n'-out paranoia of the beginning, to that very hopeful chorus and orchestra at the end.
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"LOOK AWAY DOWN GOWER AVENUE!"
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I've also always been intrigued by the mystery of this song. "Gower Avenue" is really a "Street", but I suppose Zevon called it an avenue for the additional syllables in the lyrics' meter. I don't know what Gower looks like today, but when I lived in helL.A., Gower was a very dirty, grungy, impoverished looking street that ran through the center of disappointing Hollywood. The only notable thing about Gower that I'm aware of is that it runs right alongside the western edge of Paramount Studios and the Hollywood Cemetery, which abuts Paramount to the north.
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I've always wondered what Zevon found hopeful (and maybe even salvational?) about Gower Street. Was it the fact that a historical dream-making facility like Paramount was located there, right in the middle of slumsville? Perhaps Warren found it funny that there in Hollywood, smack-dab against a major movie studio was a cemetery (the final resting place for Rudolph Valentino, Judy Garland, Cecil B. DeMille, Mickey Rooney, Tyrone Power, Douglas Fairbanks, and Mel Blanc).
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At any rate, I've always loved the lyrics, the melody, and the strange, positive ending of 'Desperados Under The Eaves', so naturally that is where my vote landed, giving us this...
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FINAL TALLY:
Zevon's 'Werewolf' = 5 votes
Zevon's 'Desperados' = 6 votes
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Warren Zevon's zong 'Werewolves Of London' (pina colada) went up against the other Warren Zevon's 'Desperados Under The Eaves' (margarita) and it was a very good Battle (meaning "a very close Battle").
.
I really like a lot of Warren Zevon's zongs, and still own four of his albums on compact discs. My music collection wouldn't be complete without songs like 'Poor, Poor Pitiful Me'; 'I'll Sleep When I'm Dead'; 'Carmelita'; 'Bad Karma'; 'Even A Dog Can Shake Hands'; 'The Heartache'; 'Ain't That Pretty At All'; 'Looking For The Next Best Thing'.
.
And although 'Werewolves Of London' is essentially just a novelty song, I happen to love novelty songs. (Anything that can put a smile on my face in this pathetically sad world is A-OK by me!)
.
However, 'Desperados Under The Eaves' has always been my very favorite Zevon zong. I won't drone on and on and on and on and on and on and bore you with all of the details that make 'Desperados...' my favorite of Warren's recordings. But I do want to say that I find the song very anthemic, in the way that it builds up, through the down-'n'-out paranoia of the beginning, to that very hopeful chorus and orchestra at the end.
.
"LOOK AWAY DOWN GOWER AVENUE!"
.
I've also always been intrigued by the mystery of this song. "Gower Avenue" is really a "Street", but I suppose Zevon called it an avenue for the additional syllables in the lyrics' meter. I don't know what Gower looks like today, but when I lived in helL.A., Gower was a very dirty, grungy, impoverished looking street that ran through the center of disappointing Hollywood. The only notable thing about Gower that I'm aware of is that it runs right alongside the western edge of Paramount Studios and the Hollywood Cemetery, which abuts Paramount to the north.
.
I've always wondered what Zevon found hopeful (and maybe even salvational?) about Gower Street. Was it the fact that a historical dream-making facility like Paramount was located there, right in the middle of slumsville? Perhaps Warren found it funny that there in Hollywood, smack-dab against a major movie studio was a cemetery (the final resting place for Rudolph Valentino, Judy Garland, Cecil B. DeMille, Mickey Rooney, Tyrone Power, Douglas Fairbanks, and Mel Blanc).
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At any rate, I've always loved the lyrics, the melody, and the strange, positive ending of 'Desperados Under The Eaves', so naturally that is where my vote landed, giving us this...
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FINAL TALLY:
Zevon's 'Werewolf' = 5 votes
Zevon's 'Desperados' = 6 votes
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'Desperados Under The Eaves' will advance to BOTB's Battle Of The Booze playoffs, while the 'Werewolf' drowns his sorrow in pina coladas at Traver Vic's.
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Thanks again, y'all. Please return for my next Battle on August 1st. "We are going to drink... > WINE!"
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~ Stephen T. McCarthy
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Thanks again, y'all. Please return for my next Battle on August 1st. "We are going to drink... > WINE!"
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~ Stephen T. McCarthy